中文 | English
款識∶
庚辰晚秋造白樂天詩意於四时含雪楼之南窗下寫。五三翁大雅之賞。
老山安飬
铃印：日本安老山书画之印、萬里翁
閒章：云山我師、停車坐愛楓林晚霜葉紅於二月花
文献
Paul Berry, "The Meeting of Chinese and Japanese Literati: Hu Gongshou, Yasuda Rozan, and the Controversy over National Style," in Literati Modern Bunjinga from Late Edo to Twentieth-Century Japan: The Terry Welch at the Honolulu Academy of Arts," by Paul Berry and Michiyo Morioka (Honolulu Academy of Arts, 2008), pp. 16-27.
Joshua A. Fogel, "Lust for Still Life: Chinese Painters in Japan and Japanese Painters in China in the 1860s and 1870s," in Acquistion: Art and Ownership in Edo-Period Japan, edited by Elizabeth Lillehoj (Warren, CT.: Floating World Editions, Inc., 2007), pp. 149-168.
博物館收藏
印第安納波利斯藝術博物館
檀香山藝術博物館
庚辰晚秋造白樂天詩意於四时含雪楼之南窗下寫。五三翁大雅之賞。
老山安飬
铃印：日本安老山书画之印、萬里翁
閒章：云山我師、停車坐愛楓林晚霜葉紅於二月花
文献
Paul Berry, "The Meeting of Chinese and Japanese Literati: Hu Gongshou, Yasuda Rozan, and the Controversy over National Style," in Literati Modern Bunjinga from Late Edo to Twentieth-Century Japan: The Terry Welch at the Honolulu Academy of Arts," by Paul Berry and Michiyo Morioka (Honolulu Academy of Arts, 2008), pp. 16-27.
Joshua A. Fogel, "Lust for Still Life: Chinese Painters in Japan and Japanese Painters in China in the 1860s and 1870s," in Acquistion: Art and Ownership in Edo-Period Japan, edited by Elizabeth Lillehoj (Warren, CT.: Floating World Editions, Inc., 2007), pp. 149-168.
博物館收藏
印第安納波利斯藝術博物館
檀香山藝術博物館